Remastering a masterpiece

Analogue to digital conversion is a science and an art, every bit as much as creating the work in the first place.

For custodians of archives who have a sizeable collection of recordings pressed to vinyl, the ability to obtain faithful electronic versions of those recordings affordably can mean ‘make or break’.

Being able to attract new audiences to the archive, supplementing existing audiences, determines the lifespan of a collection. This is true of both public and private collections.

Sharing, syndicating, and promoting backlists has long been the lifeblood of assuring revenues for composers, artists, conductors, orchestras and producers.

In much the same way, licensing the rights for brand new scores, songs, and pieces which have never been available before generates some significant income when done professionally.

Premier Audio understand these factors and fully respects the copyright vested in recorded work it handles for clients.

For that reason, we accept commissions only from bona fide custodians and owners of collections.

We never permit our facilities and know-how to be misused in, for example, producing ‘bootleg’ copies which are unauthorised. And our processes are logged and can be audited.

This all means your vinyl originals will be in safe hands and you will receive the digital remasters you instruct us to deliver.

Medium Rig in Essex

Snifters in Chelmsford, Essex was the name of a subterranean nightclub with a difference. It was a true melting pot of society. It was also the place that the good people of Essex first discovered Grolsch bottled lager (remember?)

But most of all it was the venue of choice for music lovers, drawing in the crowds from miles and miles.

Why?

Simple.

The music we played. And the gear we played it on.

Although the place was rammed with people soaking up the sound, the horns would more than cope. Ensuring that dancers even at the back of the room could enjoy every note at the top end.

And sing along if they wanted to. Which they did, because they could hear every line in every song the DJ played.

And the base wasn't just heard, it was felt, it was experienced.

We'll be forever grateful to our JBLs which pumped and thumped it out. These were basebins par excellence, unlike the ‘carboard boxes’ which pass for subwoofers all too often these days.

Is it any wonder the place is known today as the Bassment Nightclub. Reinvented by its current owners for today’s music lovers.

But it will always be Snifters to us.

Unforgettable.

As our music experiences always are.

Big Rig in Essex

When a milestone birthday comes around for one of the family, or for a celebrity singer songwriter who likes perfection, only a big rig will do.

Just need to make sure the venue is built strong enough to take it. After all, it's meant to be a celebration not a demolition. 

For occasions like this, our concert stack is just the job. When the venue is just wide enough to fit everything in, no customer ever regrets the choice of the big rig.

These loudspeakers are the de facto system for professionals who like to play loud and clear.

Which is the way it should be, isn’t it?

Whatever the genre of music you’re into, the big rig is the one you’ll want.

Take our word for it.

ASS Concert System

Did you know our ASS Concert System loudspeakers were used by leading DJs and by bands such as Swedish blockbuster group ABBA and by Europe on their "Final Countdown World Tour 1986-88".

vintage press advert in mono plus spot colour red for Acoustic Sound Systems ASS Concert System

Remember this vintage press advert for ASS Concert System stack

These loudspeakers are the de facto system for professionals who like to play loud and clear.

It's also identical to the rig that Steve Howlett aka DJ Froggy used at the famous Caister Soul Weekenders, as well as in clubs throughout the UK during the 1980s.

There’s a great story behind this.

Froggy worked extensively with names such as Dave Lee Travis and Emperor Rosko (BBC Radio 1 DJs) and Froggy was the one who introduced dual deck mixing to the UK back in the late 1970s.

Froggy visited Paradise Garage, New York City where he saw DJ Larry Levan synchronising the beats of records on two turntables.

He also visited Studio 54 to watch the DJs beat matching records there.

Both venues were equipped with "cost no object" sound systems designed by Richard Long.

On his return to the UK, Froggy approached Tony Rossell at Acoustic Sound Systems to build something bigger than his existing Matamp/Orange system that would perform just like the huge systems he heard playing in New York.

And that's when the ASS Concert System started to become famous, being squeezed into Southgate's Royalty Nightclub every weekend and used to incredible effect at all the Caister Soul Weekenders.

A great story indeed. But we didn't want our ASS Concert System to sound like one from thirty years ago, as speaker drivers today are so much more advanced than they were then.

So we asked Tony Rossell himself as the original designer, to specify, select and supply the highest quality 21st century drivers for use in our system.

Every cabinet has been returned to ASS for complete refurbishment and now looks as good as it sounds. 

 

Do you need rigs for gigs? 

To find out more about Sound Systems Hire, please click here.